Lisa Gabriele is a Canadian novelist, television producer and journalist. She was the show runner for Dragons’ Den. 2006-2012.
Gabriele is the author of Tempting Faith DiNapoli and The Almost Archer Sisters, both national bestsellers. ‘Tempting Faith DiNapoli’ will be developed as a TV series by Insight Productions. Her upcoming novel, The Winters, a reimagining of Daphne du Maurier’s Rebecca, will be published in Canada and the U.S. in the fall of 2018.
Joy Laurey is the pen name of a French writer, Jean-Pierre Imbrohoris (6 August 1943 – 13 December 1993), author of the series of erotic novels Joy.[1] The novels were adapted many times for the cinema, with actresses such as Claudia Udy, Brigitte Lahaie or Zara Whites. Read: Jennifer Stevenson (author)
Anne Cécile Desclos (23 September 1907 – 27 April 1998) was a French journalist and novelist who wrote under the pseudonyms Dominique Aury and Pauline Réage, and is best known for her erotic novel Histoire d’O (The Story of O), Born in Rochefort, Charente-Maritime, France to a bilingual family, Desclos began reading in French and English […]
James Havoc is the pen-name of James Williamson, a British extreme writer of esoteric horror and erotica from Plymouth.[1] Moving to Brighton in later life, he made friends with Alan McGee of Creation Records and became chief editor of Creation Books, Creation Records’ book division.[2] McGee has commented on Williamson/Havoc in his autobiography, Creation Stories […]
Michael Hemmingson (July 12, 1966 – January 9, 2014) was a novelist, short story writer, literary critic, cultural anthropologist, qualitative researcher, playwright, and screenwriter. He died in Tijuana, Mexico on 9 January 2014. The reported cause was cardiac arrest.[1] As an independent scholar, Hemmingson wrote the meditation, Gordon Lish and His Influence on Twentieth Century […]
Philip Milton Roth (March 19, 1933 – May 22, 2018) was an American novelist and short-story writer. Roth’s fiction, regularly set in his birthplace of Newark, New Jersey, is known for its intensely autobiographical character, for philosophically and formally blurring the distinction between reality and fiction, for its “sensual, ingenious style” and for its provocative […]